(1626 - 1683)
[Palace, Naples]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(1626 - 1683)
[Allegory: Woman holding a ring]
after Johann Wilhelm BAUR (1607 - 1641)
Etching and engraving
(1626 - 1683)
[Scene in front of an italian palace]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(1626 - 1683)
[Port, Naples]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(1626 - 1683)
[Palace, Naples]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(1626 - 1683)
[Allegory]
after Johann Wilhelm BAUR (1607 - 1641)
Etching and engraving
(1626 - 1683)
[Allegory of Victory]
after Johann Wilhelm BAUR (1607 - 1641)
Etching and engraving
(1626 - 1683)
[Allegory with a parrot and an anchor]
after Johann Wilhelm BAUR (1607 - 1641)
Etching and engraving
(c.1642 - 1682)
Paulus Caliary Veronensis
After Paolo VERONESE (1528 - 1588)
Etching
(c.1642 - 1682)
Paulus Caliary Veronensis
After Paolo VERONESE (1528 - 1588)
Etching
(c.1642 - 1682)
Paulus Caliary Veronensis
After Paolo VERONESE (1528 - 1588)
Etching
(1637 - 1677)
Paulus Caliary Veronensis
After Paolo VERONESE (1528 - 1588)
Etching
(c.1642 - 1682)
[San John the Baptist]
Titianus Vecellius, Cad. invent. & pinxit.
after Tiziano Vecellio TITIEN (1485/89 - 1576)
etching
(c.1642 - 1682)
[Two Arcadian Musicians in a landscape]
after Tiziano Vecellio TITIEN (1485/89 - 1576)
etching
German school first half of the 18th century
Palais Corsini
Perspective view
Edited in Augsboug, Collection des Prospects
(Haarlem 1571 - 1631)
Three Graces
after Hendrick GOLTZIUS (1558 - 1617)
Engraving
(? - 1776)
Illumination of Johann David Jung's residential and commercial building
Etching
(1635 - 1681)
La double Tentation
Printed by MENIL
Etching and stipple engraving
(1758 - 1833)
Loth and his daughters
after a painting of Guercino (1591 - 1666) and a drawing of Stefano Tofanelli (1752 - 1812)
Engraving and etching
(1729 - 1805)
Baroque architecture project
Etching
(1663 - 1732)
Corsica breaks free from Satyre
Etching
(1663 - 1732)
Mirtillo dressed as a Nymph, from Il pastor fido
Etching
(1663 - 1732)
Silvio led in triumph to the temple of Diana (Act IV, scene 3)
Etching
(1663 - 1732)
Satire revealing Amaryllis's love affair in Diana's temple (Act IV, Scene 3)
Etching