(1526 - 1613)
The Colosseum
Engraving
(1808 - 1871)
VEDUTA DEL CORTILE DI S.DAMASO AL VATICANO
(1801 - 1874)
FONTANA SULLA PIAZZA DI S.MARIA IN COFMEDIN
Etching
(1801 - 1874)
PONTE ELIO IN OGGI DETTO PONTE S.ANGELO
(1777? - 1831?)
VEDUTA DI S PAOLO NELL ANTICO STATO
Etching
(1777? - 1831?)
VEDUTA INTERNA DELLA BASILICA LATERANENSE
Etching
(1777? - 1831?)
VEDUTA DEL ARCO DI COSTANTINO
Etching
(1777? - 1831?)
AVANZI DELL ARCO DI DRUSO
(1777? - 1831?)
INTERNO DELLA BASILICA DI S PIETRO IN VATICANO FONDATA DA COSTANTINO MAGNO
Etching
(1777? - 1831?)
After Antonio Aquaroni (1801-1874)
PROSPETTO DELL'ARCO DI GIANO QUADRIFRONTE
Etching
(1777? - 1831?)
VEDUTA DEL TEMPIO D'ERCOLE DETTO DI VESTA
Etching
(1777? - 1831?)
VEDUTA INTERNA DELLA BASILICA LIBERIANA
Etching
(1777? - 1831?)
VEDUTA DELLA BASILICA LIBERIANA
(1777? - 1831?)
VEDUTA DELL'ARCO DI TITO
Etching
(1777? - 1831?)
PALAZZO, PORTICO LATERALE ED OBELISCO LATERANENSE
Etching
(1777? - 1831?)
VEDUTA DEL TEMPIO DI VENERE E ROMA DETTO DEL SOLE E DELLA LUNA
(1777? - 1831?)
VEDUTA DEL LATO MERIDIONALE DEL TEMPIO MINERVA MEDICA
Etching
(1777? - 1831?)
VEDUTA DELL'ARCO DI SETTIMIO SEVERO
Etching
(Viarmes 1718 - Rome 1762)
VEDUTA DELLA BASILICA DI S. PAOLO FUORI, plate from LES PLUS BEAUX EDIFICES DE ROME MODERNE
Printed by FREICENET (Active between 1761 and 1783)
Etching
(Viarmes 1718 - Rome 1762)
Chiese e Monasteri di S. Domenico e Sisto..., plate from LES PLUS BEAUX EDIFICES DE ROME MODERNE
Etching
(circa 1618 - 1678)
Façade of Santa Maria della Pace's church with Pope Alexander VII and his suite on the square
Etching
(? - 1878)
FORO FROJANO
Etching
(? - 1878)
VEDUTA DEL THEATRO DI MARCELLO
(? - 1878)
TEMPIO DELLA FORTUNA VIRILE
Etching
(? - 1878)
VEDUTA DEGLI AVANZI DEL TEMPIO DELLA PAVE
(1775-1855)
After Sigurani
LE DEDANS DE L'ÉGLISE ST MARC
PONTE SULLA LAGUNA
Lithograph hancoloured, arabic gum
(1728 - 1788)
Propizia e al pescator di luna il lume, planche de la série Six Capricci
After Antonio Canaletto (1697 - 1768)
Etching
(1733 - 1817)
The new Doge is crowned with the 'corno' hat standing at the top of the Scala de Giganti in the Palazzo Ducale
after Antonio Canaletto (1697 - 1768)
Etching and engraving
(1733 - 1817)
The Doge watching from a window in the Palazzo Ducale the shrove thrusday festivities
after Antonio Canaletto (1697 - 1768)
Etching and engraving
(1716/1718 - 1796)
Biblioteca Marciana
after Antonio Canaletto (1697 - 1768)
Etching
(1733 - 1817)
The Doge departing in the Bucintoro after the ceremony in the church of S.Niccolo
after Antonio Canaletto (1697 - 1768)
Etching and engraving
(1716/1718 - 1796)
Bucentaurus et Nundinae Venetae in die Ascensionis
After Giovanni Antonio Canal, dit CANALETTO (1697 - 1768)
Etching
(1716/1718 - 1796)
Piazza San Marco
after Antonio Canaletto (1697 - 1768)
Etching
(1697-1768)
Santi Giovanni e Paolo, Venice
Etching
(circa 1810 - circa 1875)
Arsenal in Venice
Aquatint handcoloured
(1727 - 1791)
Élévation d'un Temple dédié Jupiter Serapis à Pouzzol près de Naples
after Hubert Robert (1733 - 1808)
Etching
(1804 - 1879)
Inside St Mark's Basilica
Lithograph handcolored
(1767 - 1855)
Inside Saint Mark's Basilica
Lithograph
After Philippe Benoist (1813-1905)
QUAI DES ESCLAVONS
Lithograph hancoloured, arabic gum
(active in the middle of the 19th century)
PALAZZO CORNER CA GRANDE ora J.R Delegazione
After Marco Moro (école italienne circa XIX)
Lithograph hancoloured, arabic gum
(active in the 19th century)
LAITIERES, VENISE
Handcoloured lithograph
(active in the 19th century)
PALAZZO GIOVANELLI ste Fosca
After Marco Moro (italian school, middle of the 19th century)
Lithograph hancoloured, arabic gum
(active in the 19th century)
PALAZZO DARIO
After Marco Moro (école italienne circa XIX)
Lithograph hancoloured, arabic gum
(active in the middle of the 19th century)
PALAZZO LABIA a st Geremia
After Marco Moro (école italienne circa XIX)
Lithograph hancoloured, arabic gum
(1626 - 1683)
[Gondolas in Venice]
after Johann Wilhelm BAUR (1607 - 1641)
Etching
(Paris 1707 - 1783)
Foire de Venise
After Charles PARROCEL (1688 - 1752)
Etching
(1710 - 1743)
Basilica San Marco and Piazza san Marco
Etching
(1710 - 1743)
The Piazzetta looking to the sea, with the Doge's Palace to the left and Campanile to the right
Etching
(1817 - 1885)
Pont des Soupirs
Lithograph hancoloured, arabic gum
(1817 - 1885)
Quai des esclavons
Hôtel royal Danieli
Lithograph hancoloured, arabic gum
(1817 - 1885)
Cour du Palais Ducal
Lithograph hancoloured, arabic gum
(1817 - 1885)
Entrée du Grand Canal
Lithograph hancoloured, arabic gum
(1874/75 - 1935/36)
Giotto's tower in Firenze
Etching
(1726 - 1788)
and François Allix (1752?-1794)
Vue de la Ville de Taormina, prise en dehors et aux pieds de l'Avant Scene de son ancien Théâtre
After Claude-Louis Châtelet (1753-1795)
Etching
(1872 - 1958)
Couple on a small boat
Aquatint in colors
(1872 - 1958)
Couple on a balcony
Aquatint in colors
(1813 - v. 1880)
Modena, courtyard of the Ducal Palace
Lithograph
(1813 - v. 1880)
Florence
Lithograph handcolored
(1737-1831)
Vue prise à l'entrée des excavations faites dans les Thermes de Catane aux frais du prince de Biscaris
After Louis-Jean Desprez (1743-1804)
Etching
(Guiscard 1767 - 1841 Passy)
VUE D'UN ANCIEN MONASTERE A ARPINO PRES ISOLA, ROYAUME DE NAPLES
Lithograph
(Italian school of 18 th Century)
Vue de l'intérieur du corridor de l'Amphithéatre de PouzzolLithograph
Etching
(Middle of 18th Century)
Vue de la Place du Dôme de Milan
Etching handcoloured
(1813 - 1890)
After Frédéric de Mercey (1805-1860)
Capri
Lithograph
(1813 - 1890)
Capuchin Covent in Amalfi
after Frédéric Bourgeois de Mercey (1803 - 1860)
Lithograph
(1813 - 1890)
Amalfi
after Frédéric Bourgeois de Mercey (1803 - 1860)
Lithograph
(1813 - 1890)
Nisida
after Frédéric Bourgeois de Mercey (1803 - 1860)
Lithograph
(1813 - 1890)
Lac de Tresimène
after Frédéric Bourgeois de Mercey (1803 - 1860)
Lithograph
(1761- 1809)
Vue générale de la ville et du Port de Termini // avec l'aspect d'une partie des Montagnes...
after CHATELET
Etching
(Active in the middle of the 19th century)
SIENNE, PLACE DU CAMPO
After Nicolas Chapuy (1790-1858)
Lithography (2 colors)
(Active between 1740 - 1775)
Perspective view of the square St Charles of Turin and in the background the new gate
Handcoloured engraving