(1826 - 1883)
Atalanta
after Alfred de Dreux (1810 - 1860)
Handcoloured lithograph
(active c. 1840 - 1867)
Brevet de contre-pointe
handcoloured lithograph
(Paris 1885 - 1964)
The rest of the boxer
aquatint in colours
(17? - 1820)
Sandis si l'on ne me retenois, j'irois comme le Vent
Etching handcoloured
(Active of the XIXth century)
Le boxeur blessé et ses parieurs consternés
Etching handcoloured
(active c. 1861 - 1879)
Brevet de canne
handcoloured lithograph
(1882 - 1959)
Heath in his Panhard car winner of the circuit des Ardennes
Lithography in colors
(1882 - 1959)
A golf player running his ball
Lithograph colored with stencil
(1882 - 1959)
Heath in his Mercédès car winner of the Gordon-Bennett cup
Lithograph handcolored
(1882 - 1959)
A golf player
Lithograph colored with stencil
(1882 - 1959)
A golf player
Lithograph colored with stencil
(1882 - 1959)
Back view of a golf player
Lithograph colored with stencil
(active c. 1852 - 1858)
Brevet de bâton
handcoloured lithograph
(active c. 1852 - 1858)
Brevet de pointe
handcoloured lithograph
(active c. 1860)
La leçon d'escrime (the fencing lesson)
handcoloured lithograph
(active c. 1860)
Brevet de contre-pointe
handcoloured lithograph
(Active circa 1814 - 1834)
L'anglais et son maître d'escrime
Etching handcolored
(1869 - 1959)
The tennis player
pochoir
(1869 - 1959)
The tennis player
pochoir
(1717 - 1810)
Position après avoir desarmé sur le coup de quarte
sheet n° 35 after the Desseins Originaux des Attitudes Continuée dans L'École des Armes by James GWIN (1700 - 1769)
handcoloured etching
(1700 - 1769)
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
sheet n° 47 after the Desseins Originaux des Attitudes Continuée dans L'École des Armes from James Gwin
handcoloured etching
(1754 - 1829)
Les Joueurs du bon Genre
Etching handcouloured
(1863 – 1916)
La corrida: l'enlèvement du taureau (set of 6 plates)
Lithograph, impression in colours.
(1863 – 1916)
Corrida: une bonne pique
Lithograph, impression in colours. (set of 6 plates)